terrence parker presents music works volume # 3 (catalog pmw003)this is a special 3 track ep personally compiled by legendary detroit producer & dj terrence parker. the a-side features a classic tp remix from his former intangible records label entitled >secret fantasy< by james sims. the b-side features a funky house swing track never release on vinyl by hot new producer dj mo reese (a former detroit resident who now lives in the us city of cincinnati). also featured on the b-side is another jazz-house fusion track entitled >love 4 sale< by dj leandre of paris, france (the man who brought you soul juice). all 3 of these tracks have been specially re-edited by terrence parker in august of 2011 for this vinyl release. for fans who like tps classic 1990s sound, these tracks are guaranteed to light up the dance floor!

after two buzzing releases, senzen is quickly getting recognition it deserves. but third time is the charm, right? well, at least in this case. senzen 3 title track, >gonna b<, is based on studio sessions of label boss benno blome together with his long time friend armin engel, who has worked on projects with fela kutis band rhythm taxi & jimi tenor, and had a show on jazzradio berlin for years. the track itself has influences from both producers. tech house meets jazz, what a fascinating concept! freestyle drumming, keyboard jams and effects tied together, creating an original approach to club music. remixers of >gonna b<, marcin czubala (mobilee) and jin choi (contexterrior, private gold, archipel), are two of the hottest producers at the moment. after his excellent streak of releases on mobilee, marcin makes an outstanding debut on senzen and delivers a deeply rooted house remix concentrating on tiny tweaks and variations while carrying them solidly throughout the track. jin, on the other hand, doesn’t let functionality stand in the spotlight of his remix. his music is supposed to touch emotionally and to move the head and the body - and believe me, it does!

a debut release for both band and label, parisian duo paradis bring two eloquently produced tracks to beats in space in the form of the >parfait tirage / la ballade de jim< 12 inch (bis001). admirers from afar of dj tim sweeneys weekly on air institution of 12 years (from which the label takes its name), paradis submitted demos hoping they might hack it for some play time. reared on classical and jazz, turned young hip hop rebels, turned teen club crawlers, and then university machine tinkerers, simon meny & pierre rousseau grew out of genre jumping while young enough to stay ahead and settle into music making centered around melody and emotion.

ten months after vidabs last output, we are back with the debut solo release of our good friend tomas svensson. some may know him as a half of berlin duo subbroomassociation, or as the former live drummer of >schulz & söhne<. tomas started his interest in techno/house during his studies of jazz drums and piano at the udk in berlin, and ended up building his own studio to realize his vision of sound using mostly analog equipment. the swedish native delivers here two tracks that fit perfect the mood of his home country with its huge forests, clear lakes, and wide landscapes. swedish techno with with a detroit soul. enjoy!

as the instruments of rapture series draws to a close, the penultimate release comes courtesy of one of our favourite producers, tornado wallace. >rainbow road< sees captain wallace take us on a star-bound, jazz-funk journey where time stands still and emotions run high. with the equally positive >dont hold back< and a revenge remix on the flip, this is a fitting build-up for the final instalment on the label.

its moony time: after the famous album >moments< and the >acid moon ep< follows >the cat and the moon<: three deep, chicago house tracks full of rhyhtms, acid moods, jazz and soul. plus one accapella track, which is a poem by william butler yeats. yeah, the cats are dancing to the moon while the rhythms, synths and growls are waiting to please you! limited vinyl edition!

already support from pezzner, jimpster, peter kruder, funk d void, roberto rodriguez, stevie sole ...

following on from their club smash >high on life<, east west connection aka dr bob jones and lofty offer a full on jazz tinged sizzler complete with horns, percussion and hint of latin thrown in for good measure. alongside lofty and bobs musical craftsmanship >we re movin on< showcases the amazing vocal talent of funk singer sandy mill. piping hot latino jazz groove guaranteed to set dance floors alight!

with private golds newest offering the inimitable cologne producer martin beume has really taken a huge and achingly beautiful step in his songwriting and production. some might know him from releases with connaiseur or brut! records, but this record is miles higher… wisps of detail adorn each song like edible gold flake on a luscious chocolate ganache cake. synths flutter and glide like summer butterflies and even the percussion is precious and clean. this is not to say it is only good for home listening. lead off track solid rubber has a tough and sexy deep house sway with echoes of brazilian bossa nova laid over its more traditionalist chicago house and jazz. lsdeep, has the full dirt stomp necessary for a forbidden tryst, but sneaks in smart samples and emotional filter washes to add unexpected depth. at 105bpm, you might not expect wip catch to fucking groooooove the way it does, but trust me kids, things are getting slower as we are getting older. and it feels great. soaring orchestral strings married with perfectly cut vocal samples are sure to get the more adventurous djs hypnotizing dancefloors like musical svengalis. and when you thought it was all over, axel boman turns in an amazing remix in his instantly recognizable non-traditional style. this dude is a lothario. all hip shake and cooing come-ons, its a reduced house gem that slinks its way into your pants.

yoshihiro hannos project radiq as beautifully evolved over the last years. from his more dubby chilled out experiments to his present housier sound one thing always remain: his music as natural feel of groove and rhythm. what all good funk and jazz is made of. and it cant be clearer than on this new ep for musique risquée who demonstrates is different personnality. the housy groove of gun street shuffle to the soulful pharaohe and the funky stolen moments, this ep as it all!

clement meyer now joins correspondant, and with a nod to his parisian roots he enters our label with techno to be reckoned with. just listen to the first half of >sweet insanity<, and you will begin to appreciate his dark style as much as we do. abe duque, who we have invited to remix >sweet insanity< has been at the head of the acid-house and underground-techno table since his earliest releases way back in 1993. from muscular and melodic techno to cocktail jazz and ambient interludes, his early tracks on his own labels tension and hollis haus included releases under pseudonyms like kirilan and super secret symphony, plus his releases on others labels like disko b, rapture!, morbid, and tresor captured a particular period of clubbing history. the second part of duque s career was a run of increasingly massive 12 inch hits like champagne days, cocaine nights, acid, disco nights, and in 2004 his monster smash with blake baxter >what happened?<. his signature is now stamped across productions from top acts like chemical brothers, pet shop boys, and miss kitten, and has become a regular on dj hells gigolo label. the highlight of this period, though, was his first album >so underground it hurts<. it was undeniably a techno event, and that is exactly what he comes with today, a mind bending techno remix of >sweet insanity<. we hope you like it!

already receiving full support from the likes of: dave lee, tony humphries, roger sanchez, dj sneak, danism, roy davis jr., cj mackintosh, soulmagic, sir piers, sonny fodera, dave mayer and many many more

soul jazz are issuing this seminal in-demand super-rare boogie-funk-soul album produced by roy ayers originally released on his own independent uno melodic label in 1981.
this incredible one-off album produced by roy ayers in 1981 features the amazing vocal talents of sylvia striplin, one of the featured members of eighties ladies, who the year before had released another seminal release (ladies of the eighties) also produced by roy ayers. striplin was also the vocalist in the classic jazz fusion soul group aquarian dream. sylvia striplins solo album features the two classic singles >give me your love< and >you cant turn love away<. her only solo album – this has been a serious collectors album ever since its original release and is definitely a rare groove holy grail!
soul jazz records are re-issuing this remastered album in its entirety with original artwork, on heavyweight double vinyl and deluxe heavyweight card – even better and louder than the original!

te next release on double standard is the sonic love child of deniz kurtel, guti and gadi mizrahi. conceived at the dawn of a new year inside the marcy hotel, brooklyn, the way i feel ep- is slow, instinctive mood music, beautiful in its simplicity. floating on a lazy groove, title track the way i feel- sounds like the haze of being in love. intimate, sexy and deep, the sultry voice of a lover caresses layers of spaced- out beats drifting through low-key piano notes, distorted and interlaced with the woozy bassline. flip over to the b-side and the vibe of -3am- is muddier and full of eerie, echoing keys and disembodied vocals. with a bassline raw and impulsive, -3am- is the late night counterpart to the early morning bliss of the a-side. fluid in motion, light traces of techno slowly filter though the loose percussive rolls in spontaneous unison. as an integral member of the wolf + lamb crew and one-time resident at the label-s creative source –the marcy, deniz kurtel has since evolved into one of house music-s most exciting producers, releasing her dazzling debut album on crosstown rebels earlier this year. dynamic argentinian producer guti is known for his grooving, latin-inspired techno on labels such as desolat and supplement facts but this ep-s trip into more languid territory is a pure expression of the accomplished jazz pianist-s affinity for experimentation. through his intuitive operations, wolf + lamb and double standard label boss gadi mizrahi has given a home to a variety of deeper sounds filtered through an alternative vision for house music. -the way i feel ep- is double standard at its unadulterated, sensual best.

chicago a place celebrated the world over for the talent of its musicians spanning across countless genres of music. you name it---soul, funk, rock, jazz, blues, etc. in modern times, chicago’s dance floors have had a worldwide reputation for house music.

nice price deal !!! 2009. a over dimensional first release of dropsoup wherein the twilight shimmers thru the ordinaryand the absurd sounds common. with monotonous jazz tracks of just so nah and well glitched funkstep of typhique. ... made by machines, i believe ...

zeitlos, a german word meaning timeless is one way to describe chris wood & meats new ep, triple s. this is house of a different flavor, pulling influences from freestyle jazz and funk. we find ourselves late in the night. we enter triple s, a smoky cool atmosphere, relaxed and ready. light percussion leads us into the back, where a lone wandering bass line takes the stage. the simmer of hi hats and trample of toms usher in the kicks. chugging along, a single jazz flute, and sassy women punch through the fog. the strings rise and the bass sinks into the cellar. downplayed with style and elegance, triple s is the perfect track for half past midnight, opening the gates and pouring your body on to the dancefloor.

>ibara: river crossing< ist die erste compilation des new yorker deep-house-labels yoruba records, das gemeinsam vom künstler und produzenten osunlade und soul jazz records betrieben wird. osunlade, der nebenbei priester der afrikanischen ifa-religion ist, brachte für dieses album zusammen, was zusammengehört: deep house, african funk, nu soul, jazz und broken beats aus aller welt. mit dabei sind mitglieder der yoruba-familie wie südafrikas soul-superstar kb, nadirah shakoor, santos und djinji brown, aber auch andere musiker. osunlade arbeitete u. a. für 4 hero, salif keita, ms dynamite, cesaria evora, incognito und roy ayers. yoruba records dient ihm als plattform für seine lieblingskünstler und als eine art laboratorium, um den sound seiner vorfahren weiterzuentwickeln. alle tracks wurden exklusiv für dieses album eingespielt.

re-issue of the classic galaxy 2 galaxy double pack downsized to the favorite 4 tracks. recut and remastered!

osunlade graces us with more unique, truely deephousemusic with strong afro jazz references.

this the latest offering from osunlade/soul jazz joint label. deep afro house with slick beats, chanting vocal and tribal percussion.

2001 jazz-fusion album by ian o brian (memory tree, the beauty room).

for our first campaign together we bring you their next vinyl release, featuring music from some of the labels regular contributors. microtune & takter were the duo behind concorde clubs very first release and today they combine their love of impulsive beats and deep bass with beautifully melancholic latin samples on >trista pena< and >bazaar<. on the flip gregor sultanow presents two superb cuts. matching deep throbbing bass and sax on >jazz cafe< and wobbling dubby goodness on >kiezfrühstück<. all four tracks brilliantly complement each other, making this a strong summer bound ep. perfect for the after-hours or open air parties.

so sound recordings latest acquisition to its roster is a trio from hannover, germany and they are called les loups. ladies and gentlemens if you thought that >french house<was a cool style of music back from the late 90s and early 2000s, think again, because felix littkemann (18), antonio dominguez (19) & philipp landmann (20), are ready to start a disco revolution. being influenced by jazz, indie rock, french house, hip hop the three got together and started to produce french house based on disco samples from the late 70s and early 80s, creating their own trademark sound which is so fresh!

raised in haifa, israel, now located in amsterdam, this duo of sonic explorers have had acclaimed releases on a host of cult labels like psychostasia, underground quality, philpot & many more chelm is burning is the first in a four part ep & dvd series, an imaginary soundtrack to paul wegeners 1920 german silent film classic >the golem: how he came into the world< based on the centuries old clay monster which haunts jewish folklore. grounded in jazz, the duo soon began experimenting with electronic music, fusing influences as disparate as ornette coleman, can, mr fingers & cabaret voltaire into what can best be described as music from the future, gazing deeply into the past.

good for saturday nights as well as sunday mornings, maxi jazz, rollo and sister bliss are the holy trinity at the centre of the u.k. electronic dance collective faithless. catapulted into fame by their 1996 banger >insomnia<, the group went on to play almost every stage, club and festival known to man. twice. >outrospective< was their third and most successful album, where maxi jazzs trendy vicar approach and sister bliss & rollos innate sense of what makes music work reach their climax. it is more upbeat in tempo and emotion and has an intuitive production that emphasizes their e-flavoured spirituality to a tee. featuring dido and their biggest selling hit >we come one<.

eleventh and conclusive ten inch of the la series comes from two thirds of the sa-ra creative partners shafiq husayn and om mas keith. working solo on each side shafiq is first with seven minutes of funk split into three parts. >dna splice mix< is an intense mix of hip hop and funk beats, chopped vocals, jazz and soul combining to form an infectious for-the-heads downtown la sound. flipping over om mas goes uptown and gives us a more polished sound with a leftfield r n b - hip hop vocal track >girls a player<. instrumental plus accapella included for potential remixers.

outboxx hail from bristol and like much of the great citys output their music has plenty of laidback style and vibe. jacob hodge builds the sharp beats, adds bass depth and controls the technology, matt lambert adds the authentic keys - rhodes and synth licks with beautifully judged hints of jazz, soul and vintage funk.

here it is! great nu-jazz future-funk release by heavenly social with great remixes by gerd, quench and doubleyou t. k. - 6 brilliant tracks!

>bon tres bien< is the first 12 inch of a young french label based in toulouse and paris: bab musique. the original track by switch groov exp. sounds like an invitation to fly over the world. latin and brazilian influences with a killa jazz funk background. b side consists of a remix by simbad. this amazing french londons based producer and dj released already 3 lps and more than 200 remixes (for gonzales, bugz in the attic, julien loureau…). he offers here deep & heavy material between broken beats, techno and dub.

amplified orchestra delivers 2 of the finest brokenbeat tracks in nu-jazz. on the flip d&b serves us some more house orientated tracks. great release!

ganz sicher in zukunftsweisender absicht legt der argentinier franco cinelli mit mwaves einen unsagbar lockeren groove vor, der sexy uber die hihat schleift, wahrend der synth in sonniger selbstvergessenheit auf die open air saison zu perlt und diehormone aktiviert. die flipside kommt mit seuil, einem langjahrigen freund und begleiter der harry kleingemeinde, der erst jungst wieder bei den sagenumwobenen recken der circus company demonstrierte, wie das mit house und jazz nochmal zu verstehen war. auch auf freakin 4 definiert seuil coolness als mit dem fus wippende eleganz und begibt sich damit in eine tradition, die auf jean paul&#8208,,,,,belmondo zuruckgehen durfte, zu einer zeit, als lassigkeit noch unlosbar mit einer kippe im mundwinkel zusammengedacht wurde.

crimecity disco is back! this time with a fantastic debut ep signed nils w, former jazz drummer located in the northern highlands of sweden. comes with a fresh artwork thats originally made by simon persson. the a side, nickel n dime, is a percussive track with jazzy elements that fits its purpose both on the dancefloor and for relaxed home listening. on the flipside it gets spaced out with bladerunner soul, a slow, hypnotic stomper that works great on the dancefloor. crimecity disco is a diy house-label based in berlin, with the heart in malmö, sweden. vinyl only

part one of two, featuring remixes by plaid for various artists.

fred p aka black jazz consortium s debut release on mule electronic. fred has released from own imprint >soul people music<, jus-eds >underground quality<, dj qus >strength music< and well known as an important artist&dj in the modern new york house scene as well as jus-ed, levon vincent, dj qu.

support by dapayk, martin landsky, dj sneak, kisk, toby dreher, brothers vibe, andre kronert and many more.
amazing dancefloor aiming bombs. a journey into a mixup of house, techy electronic, jazz and funk. collaboration with pezzner, aki bergen, markus schmahl and others are only the pike of the iceberg. he is one of the unique acts who isnt afraid of mixing styles, genres, vocals, feelings and rhythms. mastermind scope made a huge oldschool sounding house bomb and eelke kleijn metamorphosed the original into a floor bombing and dark sounding, dancing monster.

chicago legend with slamming 3 tracks on vinyl

bite sized beats vol. 4 brings back the kentucky fried duo corduroy mavericks to partake in a deep fried fandango. some jams are fantastically tasty on their own just like a lot of your favorite foods, but sometimes you take that extra step by battering it, and throwing it in the deep frier till its a nice golden brown. that is just what c-mavs did to a stevie wonder classic on their crispy bit >funky jazz<. they fried that bitch up just right and shot the flavor units through the roof just like the miracle of a deep friend twinkee.

self defence returns in full effect with new yorks one and only dj dukes (of sex trax / power music fame) >summer madness ep<. dj duke had retired from the music front for a while, after he had about 300 records emerged after his >blow your whistle< blew up in 1993 and during the past few years. with releases dating back to 1990, you know the mans got skills aplenty, and they once again get a killer workout on this ep. each of the tracks shows a different side of his music-making and rewards ones time and attention, demonstrating that duke plays in his own league of house music. a bit of curry flavour seeps into >summer blast< by way of a sinuous string melody, adding an exotic tinge to the breeziness that otherwise infuses the cut. a funky, vibes-like motif and analog synth streams bring additional colour to the scene while a crisp, pumping groove locks everything solidly in place

the new leena welcomes a very new guest to the mobilee family - belgian born jona - who having been discovered by get physical in 2005 has since had a series of strong releases on labels such as supplement facts, planet e and resopal. a born musician, jona originally studied the guitar and was heavily influenced by blues and jazz music, until he fell in love with electronic music and graduated from the school of audio engineering. his wealth of musical training has supported his desire to continually explore new sound perspectives and forge is own and unique sound signature, something not so common in the electronic music world of today. >this time< is a three track strong ep that takes brings together a variety of musical themes. whilst >drifting away< and title track >this time< both have grooving bass lines perfect to shake up the dance floor, >resonate< has layers of drifting synths creating more of a dreamy summers day atmosphere. a debut release from an artist we hope to be seeing a lot more of in the future….enjoy

new label by third ear records and what a cool first release!!! groovemental is bringing explosive jazz versions of two classic dance tracks! side x: dumb machines version of theo parrish,s falling up is based on the carl craig version of the track rather than the version recorded by theo. one of the biggest house tracks of the 2000s and a recognised classic. dumb machines have introduced words. the word falling is intoned throughout the track and the second stanza from louis macneice,s poem snow is recited. side y: written by tori amos. dumb machine,s version is based on the armand van helden remix. he created an irresistible dance groove, selected a few choice vocal samples, which became part of the clubbers lexicon, to create one of the biggest dance records of the 90s. dumb machines have gone back to tori amos lyric, taken various lines from the lyric and cut and pasted them together. two very inspiring jazz tracks for the house and techno generation, and for everyone else too of course! been on high rotation since we got it in stock!! recommende

new release on qalomota records with the main group joyful noise. we can say that we have douzens of unreleased tracks of joyful noise. so we decide to present you this project with one unreleased track >drive in< made in 2002 this track represent the real essence of the group. soul, jazz touch in one fucking deep house track. for the joyful noise followers who like this smooth touch in house music. b side is also an old tracks but never release on vinyl. your soul, my soul, two mixes, like it says in their names, one for the morning with piano and happy feeling touch and one for the evening with groove and dancefloor definition. once again a classic release in qalomota records catalog!!!

four veteran detroit creators, individually accomplished and respected. each, a producer / performer / dj with a long history of deep, inspired, electronic and accoustic music, so innovative, to spawn a genre all its own. soiree records proudly showcases these melodious, technological, architecs on the first installment of detroit: deepconstructed. drivetrain leads off with driven. multifunctional and intelligent this one was constructed from the floor up, genuine and raw. throbbing rhythm and harmonious pads generate the perfect ambience for the signature vocal proclamation. next up, dorian gigís, the james herbert theory is a courageously deep, tech flow. gigs solid detroit influence clearly takes centerstage. thick, fat chords atop a flanged hi-hat move the air while the syncopated riffs fill the groove. dwayne jensen returns from a long departure with i see the sun light. reflecting jensens untold late night, underground experiences.this crafted pulsating, solid house swing inserts a hypnotic vocal chant for total authenticity. new to soiree records, but a known novice and powerhouse to the cause, malik alston’s offering is dance jazz. showing off some extraordinary piano chops, backed-up by a mental sax riff, alstonís unyeilding bassline and acid blips will not disappoint the dance floor. detroit: deepconstucted is music undefined from a place where music does not compromise.

gogo music unleashes the 60 hertz project invigorated with ralf gum and essential i treatments. their world debut single >capricorn< is an admirable jazz house affair featuring magnificent vibraphone and guitar soli with a good dose of melancholy. 60 hertz project was formed mid june 2009 in pretoria and is a live performing group fusing musicians and producers. it was initiated by the young producer and dj talented blackjean. he was joined by the likeminded deeptwelve and marvink, who inspired to collaborate with pianist sdk, bass-player kmor, guitarist tap plus percussionist and vocalist cromy. conjoined they deliver an outstanding performance combining live played instrumentation and electronic beats which brings jazz to the house club and house to the jazz bar. gogo music now releases with >capricorn< their first ever record crowing with remixes by ralf gum and essential

when some collaborations occur, it feels like fate has been paying close attention, planning something special. on one hand: bugge wesseltoft, pianist, composer and pioneer of electronic jazz, on the other: henrik schwarz, one of the most sought after producers of electronic music who has remixed stars from michael jackson to ane brun. this combination may not seem as radical as once it might, as in the days before bugges new conception of jazz, but the results most certainly are: this does not feel like your typical electronic jazz outing. its a super-group in microcosm. wesseltoft comes from a jazz background and has moved towards electronic music. he started on the ecm label with jan garbarek, and later collaborated with club music legends like laurent garnier and francois kervorkian on stage. schwarz comes from the chicago/ detroit techno culture, and performs at music festivals and in clubs on all continents. he has been moving towards the jazz and improvisation

patrick lindsey is no new comer . active in the techno world since more than a decade , releasing music on labels like terminal m , kanzleramt , kling klong , sci_tec to name a few . so when davide squillace and luca bacchetti received a demo from the german producer , they were really impatient to open the zip file and discover what was inside . the two discovered a four track ep full of analogue synths , organic beats and grooooove . so here is hideout ninth reference : get up and bounce ep by patrick lindsey . it all starts with > what i remember < a very strong anthem with a disco funk loop background and deep vocals by k. mason. the title track > get up and bounce < is next with its hypnotic >get up< voice snipet on top of a shuffled semi acoustic groove full of cow bells and snare drums. third track of the ep is named lockruf , evolving from a jazz sample thru vocal snipets , crazy drum rolls and saxo hooks. the last track of the ep is schleifkraft where a straight to the point chicago groove is topped with some more vocals , a very bouncy bass line and analogue synth sounds . a new reference in the hideout catalogue , four new techno tracks soon to become classics !

fvf records are very excited to present their second limited press, vinyl-only release. this time we present the production talents of lars heinrichs and sascha braemer aka heinrichs & hirtenfellner (for their first vinyl release in over a year) and the talented dirty doering (bar 25, stil vor talent) on remix duties. with previous excellent releases on thier own imprint supdup, highgrade and lørdag, heinrichs & hirtenfellners music combines dry and carefully structured minimal funk with infinite influences that take them well beyond the pigeon-hole. with buzzing house grooves, dubby basslines, and cruising jazz samples or swirling oriental sounds german music critics have credited them with a fresh sound, which combines the new chicago with minimal abstraction. the ohohoh ep features two original tracks by heinrichs & hirtenfellner and a remix courtesy of dirty doering of bar 25 fame.

meine zarten pfoten ( my tender paws ) is the eagerly-awaited album by lady ada that everybody s been longing to get a hold of for so long. her second album after debut blondie truly is a revelation. ada has successfully cast off that four-to-the-floor yoke and has recorded songs that go way beyond all our well-known categories, hovering above everything in a state of serene disengagement. it s certainly ppp in its broadest sense, but ultimately it s a work of music that radiates such an amazing warmth and tranquility that it will even sedate the biggest nervous wreck into a state of subtle receptiveness. this record is your friend. it s a shining light of beauty, glowing from the inside. humans have feelings. and it s only the noblest of feelings that these nine songs arouse. after listening to them you’re left with a slightly sheepish smile on your face. and then you press play again